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If you're doing what everyone else is doing, you're doing it wrong. - Casey Neistat Quotes
If you're doing what everyone else is doing, you're doing it wrong.
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The most dangerous thing you can do in life is play it safe. - Casey Neistat Quotes
The most dangerous thing you can do in life is play it safe.
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As a guiding principle, life shrinks and life expands in direct proportion to your willingness to assume risk.
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If the reason why you're doing anything creative is to make a living, then you're doing it wrong - Casey Neistat Quotes
If the reason why you're doing anything creative is to make a living, then you're doing it wrong
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The biggest risk is to take no risk at all - Casey Neistat Quotes
The biggest risk is to take no risk at all
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Free time is the enemy of progress - Casey Neistat Quotes
Free time is the enemy of progress
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The right time is always right now. - Casey Neistat Quotes
The right time is always right now.
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It's the execution that matters, never the idea. - Casey Neistat Quotes
It's the execution that matters, never the idea.
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Without a goal, you can’t score. - Casey Neistat Quotes
Without a goal, you can’t score.
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If Facebook is Lucky Charms, Instagram is just the marshmallows. - Casey Neistat Quotes
If Facebook is Lucky Charms, Instagram is just the marshmallows.
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Every time I took these bigger risks, the opportunity for a bigger payout was always there. - Casey Neistat Quotes
Every time I took these bigger risks, the opportunity for a bigger payout was always there.
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A shared life is a great life. - Casey Neistat Quotes
A shared life is a great life.
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Our job as creators is to further define any medium. - Casey Neistat Quotes
Our job as creators is to further define any medium.
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Just trying to live our lives and figuring out how to turn that into art. It's tough to say that the art was premeditated. Instead you just focused on living. 'How do I want to live? What do I want to do?' Then you figured out how to make that into art.
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The approach to that movie wasn't, 'Lets make this movie about Amsterdam and maple syrup.' The concept was, 'Lets go to Amsterdam. Amsterdam is fun.' So we flew to Amsterdam with our cameras and we saw what happened and then we got back and we sat down and we said, 'What's the movie here.' That's when we realized that the movie was 'The Maple Syrup Saga'.
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I always see the filming as basically going to the grocery store and buying a bunch of ingredients and that's about as far from having a dinner as you can possibly be. Then editing is the cooking, the preparation of the meal and if you don't edit it you've just got a pile of raw meat.
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I don't really care for or that much about Chat Roulette. I think the phenomenon of it and like the first wow factor which was so absolutely insane about Chat Roulette. Certainly that's what inspired me to make that movie but I think that's true for everyone that used Chat Roulette which is why it was such an explosion. Now it's just kind of disappeared. You don't hear much about it anymore.
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The technical process which is interesting in it's own right but I think the creative process is what's more intriguing to me.
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I don't use iMovie and don't use shitty little cameras to try to prove something or say something because that's a part of the process. We do it just because that's what we like to use.
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To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.
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One day it was that I wanted to go make a movie with my kid and then another day it was that I wanted to climb Mt. Kilimanjaro and another day it was that I wanted to sit in the studio and figure something out. All those things manifested themselves into what the TV show was.
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I saw 'Avatar' in the theater eight times and I got booed for it. I'm totally serious. First of all, I love that movie. I totally love that movie, but nothing intrigues me more than the fact that it made like $2.7 billion and so how many people had to see it for it to make that much money.
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That for me is what intrigues me the most about feature films. It's not like the little kind of esoteric projects that you and your friends get but how do you make something that has a universal appeal. Those are the movies that intrigue me the most.
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We could fly anywhere in the world given that we had to fly coach but we could fly anywhere in the world or do whatever we wanted to do.
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I'm definitely curious about what the new iPhone and it's video editing capabilities will lend to that.
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For me, when we came out with a TV show, my HBO show, so much of the feedback was, "How do I do it?" And my response was always the same: "Just make something." Stop talking about it. You do in a way that the work takes on a life of its own. Like the "Signature" series [(2008), in which the artist trekked across the United States in the shape of his own signature] was a simple concept that became this story about the people you met along the way.
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My son is about ninety nine percent of my life.
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Then HBO was the pie in the sky. HBO is the absolute ultimate.
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I'm naturally inclined to want to be funny and make people laugh, and that's what I want to do with my life. I also want to do it on an intelligent level. I want to kill the clown but I also want to preserve the comedian.
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I moved to New York City when I was 20 years old, started making movies non-stop. I didn't have any friends, so I would just sit at home all night editing on my iMac.
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I don't know of a more noble, a bigger deal as a filmmaker than to be a YouTube filmmaker.
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I washed dishes so I could make movies. it was never a way for me to make money.
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Ideas are cheap. Ideas are easy. Ideas are common. Everybody has ideas. Ideas are highly, highly overvalued. Execution is all that matters.
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I have 60-plus videos on YouTube and over 30 million views. Of those 60, only three or four are branded videos. I built that audience by telling stories the way I like to tell them.
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I am so disappointed in Apple. I don't even use an iPhone anymore. Their marketing sucks. It's embarrassing. It's just garbage.
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As a viewer, I care about people, I care about characters, I care about perspective.
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I made a living for 10 years making very typical TV commercials. But I always wanted to reach beyond that and do stuff that people might relate to in the way they relate to my nonbranded content.
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My brother Van got the computer first and showed me what it was like to edit video. I definitely credit Van with turning me onto filmmaking.
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I love seeing the way in which young people embrace video, and the YouTube vlogger is a fantastic phenomenon.
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Pablo Picasso would paint a painting and hang it on the wall, and you would go and see the painting exactly how he wanted it to be made. But if you have an idea for a TV show, for example, you're beholden to studios to produce it and distributors to distribute it.
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If I'm in the stands at a U2 concert watching Bono, how can I capture this moment without interrupting it and making it fake?
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Truth is so much more interesting than the fiction we're used to.
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I work in both very strict conditions and very loose, more open-minded conditions in advertising, and Nike is by far the most open-minded of all.
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As a director, I have the greatest job in the world, but if I don't push the boundaries, then what's the point of having it?
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I think you should dress nicely for airports. You're surrounded by people coming from all walks of life. You should look your best.
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The reason why people wear pajamas to the airport in the first place is so that they'll be comfortable during their flight. But you know, typically, air travel is 50 to 75 percent of the time you spend traveling. The rest of the time you spend in public places like airports and around other people. That's when looking good trumps comfort.
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I think I'm like that nerdy dad from middle school who always has a video camera, but in the same respect, I only take it out during interesting occasions.
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I actively pursue experiences that are unlike any others that I've experienced and cultures that I don't know and unfamiliar places and unfamiliar history and things like that.
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So many car commercials are shot in the Salt Flats, and so much great imagery comes out of that place, but I've never been there, and I'm curious.
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If you type 'Salt Flats' into YouTube, you'll find 100 amazing videos that were shot out there, but you won't find any that were shot in the rain.
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I consider myself to be a very good skateboarder, but the difficulty when you're being pulled behind any car, when there's only a 20-ft. line, is that you can't see the potholes.
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I was raised on Nirvana and flannel shirts and Rage Against the Machine, and I sort of describe my youth as rebellious and always fighting the system.
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I was in New York City for September 11th, and I was there for the 2003 blackout. I think in hindsight, you get a real perspective as to how unique those moments of crisis are in a place like New York City.
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I grew up in the Northeast; I've seen hurricanes before and trees down and cars destroyed.
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I won't hire someone or date a girl who has not worked in a restaurant, and that's the honest truth. I don't think you know how it is until you've worked in a restaurant.
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The reason why I'm sending my super-intellectual 12-year old kid to tech school is because I don't believe he would succeed in this world unless he first learned to work with his hands.
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One of my first questions when I interview prospective employees is, 'Do you know how big a sheet of plywood is?' Most people don't, and say they are different sizes, but it's 4' x 8'. Anyway, working with your hands is a very American thing that we kinda lost here, but it's an important skill to have.
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The idea that somebody would go to my YouTube channel and want to watch movies and then be subjected to some terrible car commercial - I don't like that.
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I get, like, 50 emails a day from kids being like, 'I want to go on this trip around the world. How do I get a sponsor?'
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I always thought of myself as an amateur stunt man.
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I've always been an incredibly physically capable human being. I've always had good control of my body, walk a hundred feet on my hands, jump off rock wall and do a back flip into the sand. That's always been who I am.
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I was always the guy who jumped off the roof of the garage, who could climb up the facade of a building.
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For all the marathons I've run, including the Ironmans that I've run, immediately after the race, I clean myself up, do whatever I need to do to make sure I'm okay, and I get right back out there, and I cheer people on. Because it's the people who come in late in the race I find most inspiring.
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I don't like to run, train, in groups. But racing, it's the groups that are most inspiring to me. I love racing with 52,000 people. I don't like training with any more than one person. Ever.
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I use iPod all the time, almost every day. It's great.
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I took my iPod to the Apple store here in Manhattan and asked them to replace the battery. And they explained to me that Apple does not offer a service to replace the battery in the iPod, and my best bet was to buy a new iPod.
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Persistence and endurance will make you omnipotent.
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I don't drink much soda; I don't buy Big Gulps, and my body mass index is right where it should be.
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If New Yorkers reduced portion size to 16 ounces from 20 ounces for one sugary drink every two weeks, it would collectively save approximately 2.3 million pounds over one year.
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I don't keep an ongoing dribble of updates of my day, but I tell little compartmentalized stories every day on Snapchat. I use it much more like making a movie than maintaining a diary. When people watch my 60-second clips, there's a beginning, middle, and end.
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I'm not an exhibitionist; I don't have a compulsion to share the ins and outs of my daily life with a public audience.
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I'm not able to make amazingly perfect, precious pieces of content, but I get to make awesome spontaneous content that's frequently ephemeral.
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I don't send and receive messages on Snapchat; I never have. Stories is the only feature I use. I think of them becoming a more dynamic social network, and I think it's great.
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Troubleshooting a wiring problem is a soul-killing experience.
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I run 50-70 miles a week and lift five or six days. It's my time.
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Almost everything looks the same at art fairs - very hygienic, very white, lots of right angles.
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The best way to find something you love is by doing something you hate.
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As a guiding principle, life shrinks, and life expands in direct proportion to your willingness to assume risk.
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The technical process which is interesting in it’s own right but I think the creative process is what’s more intriguing to me.
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Experience does for the soul, what education does for the mind.
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